The Man from MARZ
An interview with Mike Zito
Words: Vincent Abbate / Photos: Marcella auf der Heide
Meet producer Mike Zito. Oh, I know: We all love to watch Mike get onstage and tear down the house with one of his reliably staggering performances. A charming dude who is only underrated as a guitarist and singer because his songwriting is so good – what’s not to like?
But for the past decade or so, the St. Louis native and 2018 BMA-winner as Rock Blues Artist of the Year has been moonlighting at the mixing desk. When the head of the Germany-based Ruf Records label, Thomas Ruf, asked him to come to Berlin and supervise a trio of young, fairly inexperienced female artists during the making of an album called Girls With Guitars, Zito jumped at the chance. He followed that up by producing one of those three axe-toting ladies, Samantha Fish, on her first two solo records for the same label. Fish has since become one of the blues’ hottest properties. Knowing that he had a hand in getting that particular ball rolling, Zito can look back with a certain fatherly pride.
The No Bullshit Factor
An interview with Sue Foley
Words: Vincent Abbate
Sue Foley is in a good place.
Even though I’ve had a few and she hasn’t – “I’d really love a beer, but don’t want to start drinking yet” – she’s the one who’s in high spirits during our pre-show interview, laughing about life and being back on the road in Europe after a long hiatus. Hot on the heels of The Ice Queen, her first solo album since 2006’s New Used Car, the Ottawa native is a renewed presence on the international blues scene. She refuses to think of it as a comeback.
“That sounds so depressing. It’s not like I went anywhere!”
Let’s consider that for a moment.
Jane Lee Hooker live @ Spirit of 66
Words: Vincent Abbate / Photos: Dirk Schumacher
Is there a more thrilling experience in the blues right now than Jane Lee Hooker?
Honestly, I’d be hard-pressed to think of one.
Jane Lee Hooker is like a ride on the world’s fastest rollercoaster. Five gals from New York City who run on pure adrenaline. They take decades-old classics like “Shake For Me” and “Mean Town Blues” and “Mannish Boy” and make you feel like you’ve never heard them before.
And they don’t care about sticking to any one thing. They are blues and they are punk and they are southern and they are straight-up rock and roll. Just two albums into their recording career – last year’s Spiritus following on the heels of the 2016 debut No B! – these five troublemakers from NYC have already established themselves as a force to be reckoned with.