UNDER THE RADAR RECOMMENDATION –

JARKKA RISSANEN TONAL BOX

Trimmed And Burning

Blue North Records

To get an idea of where Finnish roots veteran Jarkka Rissanen is going on the bold and distinctive Trimmed And Burning, start with the dedication. With gratitude to Son House and Blind Willie Johnson. With a cosmopolitan approach not unlike that of Ry Cooder, multi-instrumentalist Rissanen, drummer/percussionist Jussi Kettunen and tuba player/bassist Jorma Välimäki mine the deep well of American blues and folk music traditions. That includes songs associated with House (“Grinnin’ In Your Face”), Johnson (“Keep Your Lamp Trimmed And Burning”) or both (“John The Revelator”). Pair that with “Why Don’t You Live So God Can Use You?” (famously recorded by Muddy Waters) and the Sister Rosetta Tharpe gem “Up Above My Head” and it’s plain to see there’s something spiritual going on here. Props must go to the Finnish trio for freely adapting these traditionals to suit their own eclectic style. That can include the heavy, almost psychedelic thump we hear on the album opener “Keep Your Hand On The Plow,” the pleasingly laid-back New Orleans-style interpretation of “Up Above My Head” or the octavized guitars that echo the two voices – one male, one female – heard on the original recording of “Keep Your Lamp Trimmed And Burning.” Meanwhile, their version of “Why Don’t You Live So God Can Use You?” chugs along with the clackety-clack of a freight train cutting through Louisiana farmland. Refreshingly unconventional. – VA

SONG PICK: “Lord I Just Can’t Keep From Crying”

WIB Interview: Larkin Poe

Sisters Are Doin’ It For Themselves

A Q&A with Larkin Poe

Words: Vincent Abbate

If you happen to be one of the 250,000 people following Larkin Poe on social media, you probably noticed more and more blues turning up in those little spur-of-the-moment videos they post on a regular basis.

Megan and Rebecca Lovell – the Georgia-born sisters that comprise Larkin Poe – share much of their creative life online, letting listeners in on what shapes them musically. In the past, you might have seen them experimenting with the Allman Brothers or Fleetwood Mac. More recently, seminal bluesmen like Son House and Robert Johnson have been getting the Larkin Poe treatment. The duo’s backstage video of House’s “Preachin’ Blues” has over 50,000 views on YouTube. An a capella version of “Black Betty” filmed inside a shower stall has surpassed 80,000.

By sinking their spades deep into America’s musical soil – always with respect, but with no qualms about making the classics their own – these two very talented siblings have obviously struck a chord.   Continue reading