♫ Philip Sayce, Peace Machine
🍺 Sierra Nevada Torpedo Extra IPA
Words & photos: Vincent Abbate
My past two Listening Party posts went off on a bit of a folky/world music tangent. The adventure was both musically satisfying and educational. But now, as I steer the proceedings back toward the grit and grime of the blues, I find myself wanting first and foremost to have my face melted. Who better to turn to in this case than Welsh-born, Canada-raised, next-level electric guitar monster Philip Sayce.
For me, any consideration of this abundantly gifted blues-rocker begins with the night he rolled into Leverkusen, Germany on the first night of a European tour and blew the walls off of a tiny club called topos. When I first caught wind of that gig, my first thought was, “What? He’s playing there?!!” Sayce’s growing reputation at the time suggested he would pack the place, and so it was: When the evening arrived, curious bodies occupied every available inch of space, from the gunky restrooms tucked away behind the stage all the way past the bar and out the front door. You basically couldn’t move.
Sayce’s power trio was so damn good it didn’t matter.
The knockout energy of Philip Sayce and his revelatory album Peace Machine, which we’ll be sampling today, calls for a beverage that packs a similarly potent punch, so I’m going with a personal favorite: the Torpedo Extra IPA crafted by Chico, California’s Sierra Nevada Brewing Co.
The bottle is chilled. Three choice album tracks have been hand-picked for your pleasure. All I need now is a pair of heavy duty bolt cutters. This is Listening Party unchained.
Keep It Weird
An interview with Dudley Taft (Pt. 2)
Words: Vincent Abbate
After Part 1 of our interview went live on Who Is Blues in mid-September, bluesrocker Dudley Taft closed out a successful European run with his trio before returning to his home base in Cincinnati, Ohio. There, he’s performed at the Blink Festival, appeared on local television and been nominated for a Cincinnati Entertainment Award as Best Blues Artist. Simple Life, the album he released on September 6th, has been hovering in the upper reaches of various roots music charts and getting favorable reviews in the press. All in all, the positives outweigh the challenges he encountered while touring around Europe, which included a blown amp, shoddy foot pedals and a touring van that came to a hair-raising halt on a busy stretch of Autobahn.
Bassist Kasey Williams, an Ohioan, and British drummer Darby Todd, both of whom were sharing that ride with Taft, play a more active role in the second and final part of our interview. As the evening wore on, tongues got looser and our conversation became somewhat more scattered. There was less talk about the new album, more about the blues, playing live and making music in general. When the smoke cleared, the opinions expressed by this trio of seasoned musicians underscored my overriding impression of Dudley Taft: He puts the song first and doesn’t give a tinker’s dam about categories.
Keep It Weird
An interview with Dudley Taft
Words: Vincent Abbate
Last time I checked, Dudley Taft was still waiting to be invited on one of those fancy schmancy blues cruises. You know – those overblown guitar orgies at sea that seem to be popping up all over the place.* Six albums into his solo career, the singer/guitarist still hasn’t become part of that exclusive back-patting mutual admiration society. And perhaps his “outside the box” approach means he never will. For now at least, he’s a lone wolf – an outsider who may or may not be looking in.
(*Note to Joe: I’d be happy to accept your invitation to the next cruise. Anything from the “mid-ship balcony” category upward will do.)
Yet with each new release, a few more people do seem to be picking up on what the persevering, axe-wielding longbeard from Cincinnati is putting down. Among today’s blues-rockers, Dudley Taft has a fairly unique skillset.