Finnish blues - Who Is Blues

DR. HELANDER & THIRD WARD

Meat Grindin’ Business

Bluelight Records

Is a Finnish blues “supergroup” even possible? If so, Dr. Helander & Third Ward fits the bill. Members Ilkka Helander, Esa Kuloniemi und Leevi Leppänen comprise a trio of blues vets who have appeared on dozens of albums and played thousands of concerts over the past several decades. Helander’s the front man here, handling guitar and the bulk of the vocals, with Kuloniemi (bass/guitar/vocals) and Leppänen (drums) making strong contributions to an album that boasts added star power in the form of harmonica legend Charlie Musselwhite. They all come together on a raucous electric affair built on deep grooves, twin guitar fireworks and a big, booming, floor-rattling bass. Opening cut “Hawaiian Boogie” is an Elmore James number that sees them playing in a raw, chunky style reminiscent of Hound Dog Taylor & The Houserockers. Musselwhite spices up the similarly hard-driving “Third Ward Boogie,” then gives way to the skills of his Finnish harp counterpart Little Willie Mehto on “Money Makin’ Machine.” Helander does a solid job vocally on Lightnin’ Hopkins “Death Bells,” which also features some fine playing by Musselwhite, though it might have been nice to also hear Charlie singing on this one. The back half of the album is highlighted by the swampy CCR-style “It’s Not For Me But For My Friend” and the John Lee Hooker-esque “Woman’s Trust.” The greasy shuffle “Don’t Be Messin’ With My Bread” closes out Meat Grindin’ Business – a lean, tasty, thoroughly satisfying album with very little fat. – VA

SONG PICK: “Third Ward Boogie”

–UNDER THE RADAR RECOMMENDATION –

JARKKA RISSANEN TONAL BOX

Trimmed And Burning

Blue North Records

To get an idea of where Finnish roots veteran Jarkka Rissanen is going on the bold and distinctive Trimmed And Burning, start with the dedication. With gratitude to Son House and Blind Willie Johnson. With a cosmopolitan approach not unlike that of Ry Cooder, multi-instrumentalist Rissanen, drummer/percussionist Jussi Kettunen and tuba player/bassist Jorma Välimäki mine the deep well of American blues and folk music traditions. That includes songs associated with House (“Grinnin’ In Your Face”), Johnson (“Keep Your Lamp Trimmed And Burning”) or both (“John The Revelator”). Pair that with “Why Don’t You Live So God Can Use You?” (famously recorded by Muddy Waters) and the Sister Rosetta Tharpe gem “Up Above My Head” and it’s plain to see there’s something spiritual going on here. Props must go to the Finnish trio for freely adapting these traditionals to suit their own eclectic style. That can include the heavy, almost psychedelic thump we hear on the album opener “Keep Your Hand On The Plow,” the pleasingly laid-back New Orleans-style interpretation of “Up Above My Head” or the octavized guitars that echo the two voices – one male, one female – heard on the original recording of “Keep Your Lamp Trimmed And Burning.” Meanwhile, their version of “Why Don’t You Live So God Can Use You?” chugs along with the clackety-clack of a freight train cutting through Louisiana farmland. Refreshingly unconventional. – VA

SONG PICK: “Lord I Just Can’t Keep From Crying”