WIB Listening Party #21: Not The Same Old Blues Crap

featuring…

Various Artists, Not The Same Old Blues Crap Vol. 1

🍺 La Quince CRYOBOT IPA

Words & photos: Vincent Abbate

That time from the mid-1990s on into the current millennium when Fat Possum Records was shaking up the blues world was actually pretty significant. Who among us had heard of R.L. Burnside before then? Junior Kimbrough? T-Model Ford? How many of us even knew there was such as thing as the North Mississippi Hill Country blues and that it was different from anything we’d heard before? Not many, I’d venture to guess.

And then suddenly, there it was. A weird, edgy, hypnotic, punky, groove-oriented sound, propagated by a tiny indie label operating from Oxford, Mississippi – a college town. Not coincidentally, perhaps, the music appealed to a twenty-something alternative audience who didn’t really know or care what the blues was. It didn’t matter that most of the musicians on the Fat Possum label were two or three times as old as The White Stripes. All that mattered – as the name of the label’s sampler series provocatively stated – was that it was Not The Same Old Blues Crap.

Today we’re going to give the first entry in that series a listen – an eleven-track album with cuts by Kimbrough, Ford, Burnside and several others.

To wash it down, we’ve got La Quince’s CRYOBOT IPA, a seasonal brew named for the Cryo Hops used in production and the futuristic bot on the label. As the late great Mr. Kimbrough once sang: I gotta try you girl.

So come on in … meet me in the city … ehh, enough of that …

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WIB Listening Party #18: All I Want

featuring…

John Mooney, All I Want

🍺 Welde / Himburgs Braukunstkeller Pepper Pils

Words & photos: Vincent Abbate

All I want is …

Nah. Let’s not go there. The list is long and kind of depressing. Let’s talk about John Mooney instead.

John Mooney is a guy who projects both power and sensitivity, both darkness and light. In his playing and singing, you can hear how he went to school on one of the all-time greats, Son House, the former Baptist preacher and blues pioneer who was forever torn between the sacred and the secular. Mooney played alongside House as a teenager in upstate New York after Joe Beard introduced them in 1971. He possesses an uncanny feel for the sort of Delta blues House performed during his lifetime and has come up with a signature guitar tone that soars like a bird on the wing.

But he carried it a step further. He moved to New Orleans as a young man, hooked up with influential musicians like Professor Longhair and Snooks Eaglin and made that city’s famed second line rhythm his own. Mooney makes magic with those two basic ingredients, the Delta and the second line.

I love just about everything’s he done but have a special place in my heart for All I Want. The album’s energy is electric and Mooney’s playing is off the charts.

All I Want was his most current disc when I interviewed John before a club show in Bavaria in 2003. I think I was drinking Pyraser Landbier in half-liter mugs that night. Mmm. Today’s Listening Party pick has little in common with that Bavarian Helles, but it is German: Pepper Pils, which I chose for the simplest of reasons. I’m intrigued by what adding pepper does to beer.

Let’s crack open the bottle and let the music play.

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WIB Listening Party #17: Time Bomb

featuring…

Sue Foley, Deborah Coleman & Roxanne Potvin, Time Bomb

🍺 Steamworks Pale Ale

Words & photos: Vincent Abbate

Can we agree there’s too much product out there?

It’s how I feel and have felt for quite some time now. Everybody and his brother puts out a CD or DVD or digital-only release on a regular basis. For the consumer, trying to keep up with each new wave of recordings is a Sisyphean task that hinders the enjoyment of music. Long gone are the days when we would sit for weeks with a favorite LP, poring over the lyrics and attempting to decipher the secret meanings hidden in the whacked out cover art. Today, we listen quickly and superficially before it’s wham, bam, on to the next one.

What’s worse, the never-ending torrent of new product keeps us so busy that we rarely dive into the collection we’ve assembled, which is full of gems we probably didn’t spend enough time with in the first place. Like Time Bomb.

The album was recorded and released to coincide with the third edition of the Ruf Records Blues Caravan Tour, which featured Sue Foley and Roxanne Potvin alongside the late American guitarist and singer Deborah Coleman.

I want to go music-heavy as I explore this excellent record from 2007, keeping the blah blah to a minimum and giving each of the three talented ladies who contributed to the project their chance to shine. 

And of course we’ll do a little beer tasting along the way, indulging in our first Canadian brew in honor of Foley and Potvin, each of whom hails from the Great White North.

Let’s stop – take a deep breath – pour a cold glass of Steamworks Pale Ale and enjoy Time Bomb.

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